Christian Nicolay
Perpetual Navigation
Residency Exhibition
Deer Lake
Shadbolt Centre for the Arts
Burnaby BC, Canada
2023
Deer Lake Residency Period
August 6 - September 15, 2022
Perpetual Navigation re-envisions traditional models of ceramics, materials and techniques, exploring the landscape as a subject of flux. The works exalt states of transformation, calling attention to the malleability of structures, porous and unstable surfaces. Trajectories of change and the allure of transience inform many of the assemblages and constructions, making connections between artistic process, impermanence and adaptability though transition.
Within the cyclical tension of Earth’s cycles of growth and decay, Perpetual Navigation seeks to expose that precarious balance and prompt reflection on notions of remembering, regeneration and reclamation.
Liminal Landscapes
Adapting to the new
At the edge of disappearance
Past leftovers of moments with unfixed futures
Reading between the lines
Filling the void
A rediscovery of spaces
Caught between states of transition
Perpetual Navigation
NO WHERE
NOW HERE
Residency Exhibition
ARE Holland
XPO, Enschede, Netherlands
2018
ARE Residency Period
Jan 1 - March 31, 2018
liminal
ˈlɪmɪn(ə)l/
adjective
1. relating to a transitional or initial stage of a process.
2. occupying a position at, or on both sides of, a boundary or threshold.
3. liminal symbols of passage and transformation; doors, ladders, crossings, bridges, pallets.
Nowhere Now Here explores current issues of globalization and climate change through the lens of the liminal. Our cultural landscapes have been increasingly crisscrossed and blurred through shifting borders and boundaries, directly impacting the ways in which we all cohabitate with one another. Materials, images and objects visually demonstrate transition and transformation - the visible and the invisible – the seen and unseen. In the exhibition the notion of 'space' and 'place' occurs in conjunction with ideas of the 'temporary' and 'permanent' creating a play between the real and the unreal - the Nowhere and the Now Here.
NO WHERE
NOW HERE
Kimoto Gallery
Vancouver BC Canada
2018
Throughout this body of work, a feeling of absence and presence is reflected in voids and volumes visually demonstrating transition and transformation, the visible and the invisible, the seen and unseen.
Filling the void, adapting to the new, at the edge of disappearance, a rediscovery of spaces, suspended between states of perpetual navigation, Nowhere Now Here.
The Day Job
(First excerpt, 2016)
Single channel video
06:56 min
2003 - Ongoing
The Day Job started in 2003, this is the first excerpt from hundreds of hours of footage over the years. What started out as a day job has now become part of my routine, hiding art in hard to find places. To notice the unnoticeable, to look where no one does, like a quasi-archeological expedition of absurdity and truth, quixotic adventures of surprise and play. Remember, whatever you are looking at is just the surface layer. Peel it like an onion and see what you can find.
Click Link to Vimeo page
Notes - Self Portrait
Standard loose leaf paper, pen, pencil, ink,various media and found bits, stamps, tape, stickers, correction pen, found detritus
11" x 8.5" each page (28cm x 21.5cm)
2001 - Ongoing
I have carried a piece of paper and pen on my person everyday without exception since the summer of 2001. I collect and doodle and record until the paper is full on both sides. Then I date the end and start of a new paper which I fold in half 3 times.
3 detail pages of notes unfolded out of 271 pages. It usually takes about one month to fill both sides of a paper.
40 Pages unfolded into a square
42 pages unfolded into a square
271 pages as of October 2021
271 pages as of October 2021
Self Portrait
All of my parking tickets and collection letters, sewn into an empty wallet, thread
3.5” x 12.5” x 1” (8.9cm x 31.8cm x 2.5cm)
2012
Nomadic Recoils
Residency Exhibition
Äkkigalleria, Jyväskylä Finland
2010
Residency Period
August 20 - September 2, 2010
Most of the material for this residency was found and salvaged from the surrounding landscape in the streets, old abandoned houses, farms and barns and then drawn on, combined with or Re-coiled. This was a strategy to regard the disregarded, challenging common perceptions of visual representation.
Hockey Night in Canada
Once Upon A Pond... pond hockey and global warming
Esplanade Art Gallery, Medicine Hat AB Canada Curated by Linda Sawchyn
2009
Also exhibited at Vancouver ArtWalk
during the Winter Olympics in Vancouver BC Canada, 2010
Installation View, Esplanade Art Gallery, Medicine Hat AB, Canada. 2009
Installation View, Esplanade Art Gallery, Medicine Hat AB, Canada. 2009
Climate Change Modified Canadian 5 dollar bill, 2.75" x 6" / 7cm x 15.2cm. 2009
War for Territory Salvaged hockey pucks, spray paint, found ceramic tile, salvaged glass 20" x 12" x 3" / 50.8cm x 30.5cm x 7.6cm. 2009
Core Canadian Salvaged wood, found tool, my slippers, skate blades, thread, screws, salvaged shoelace, Variable dimensions. 2009
L Wood found photograph, pencil, white-out, hockey tape, crayon, typewriter, ink, pin, ballon
Installation View, Esplanade Art Gallery, Medicine Hat AB, Canada. 2009
Beard Puck - Playoff Beard My beard, glue, home made photograph mounted on glass, typewriter ink, tape, steel, ink, tape. Variable dimensions. 2009
Beard Puck - Playoff Beard My beard, glue, home made photograph mounted on glass, typewriter ink, tape, steel, ink, tape. Variable dimensions. 2009
Studies in Amplification Series (Ampli-Skate) Video stills, One channel video (2009) 1999 - Ongoing
Ice skates, violin and cello pick-ups, RP-50 effect pedals, mini amplifiers, 1/4 jacks, batteries, tape, leather, thread, fabric Variable dimensions. 2009
Hockey Night in Vancouver, Installation View, ArtWalk during the Winter Olympics in Vancouver BC Canada, 2010
Hockey Night in Vancouver, Installation View, ArtWalk during the Winter Olympics in Vancouver BC Canada, 2010
$2010 LightJet Photograph, Ed. of 3. Made as protest for the 2010 Vancouver BC Winter Olympics
Project Flyleaf
Elliott Louis Gallery, Vancouver BC Canada
2006
fly’leaf” n. 1, a blank leaf at the beginning or end of a book. 2, flyleaves often carry pen trials and inscriptions concerning provenance. 3, used for structural reinforcement to protect the text in the event of worming or damage to the binding.
Each work in this series started with a flyleaf and the marks that happened to live on it. The flyleaf is left to the unpredictable course and nature of the books next owner. Things that were written may become crossed out, or added onto. A dialogue of spontaneous and uncertain mark making begins over the course of a books life. Flyleaves ephemeral yet silent qualities draw on my obsession with opposites that simultaneously co-exist in perfect harmony.
Project Flyleaf Installation View, Elliott Louis Gallery, Vancouver BC, Canada 2006
Re-Education, Salvaged books, school desk chair, screws, nails, glue, tape, hidden notes, pencil 32.5" x 16" x 12" / 82.6cm x 40.6cm x 30.5cm. 2006
Project Flyleaf Installation View, Elliott Louis Gallery, Vancouver BC, Canada 2006
Generation ATARI Salvaged flyleaf pages, acrylic paint, pencil, ink, crayon, oil pastel, water-colour, white-out, tape, graphite, on paper on panel. 96" x 48" / 244cm x 122cm 2006
Generation ATARI (DETAIL)
Project Flyleaf Installation View, Elliott Louis Gallery, Vancouver BC, Canada 2006
Project Flyleaf Installation View, Elliott Louis Gallery, Vancouver BC, Canada 2006
Entropy : The degradation of matter Salvaged books arranged by colour, hidden notes and drawings 2006 - Ongoing
Project Flyleaf Installation View, Elliott Louis Gallery, Vancouver BC, Canada 2006
Carbon Copy Pencil, oil pastel, found detritus paper, wood, felt, tape, water-colour. 9.5" x 4.5" x 1.5" / 24.1cm x 11.4cm x 4cm. 2006
Danny Lion Pencil, oil pastel, found detritus paper, wood, dandelions, 9.5" x 4.5" x 3.5" / 24.1cm x 11.4cm x 8.9cm. 2006
Self portrait as Hunter S. Thompson Pencil, oil pastel, found detritus paper, wood, 6" x 4.5" / 15cm x 11.4cm. 2006
Bird Flu's Bush, H5-N1 Pencil, oil pastel, crayon, found detritus paper, wood, 6" x 11" / 15cm x 28cm. 2006
Industrial Revolution Pencil, oil pastel, found detritus paper, wood, 9.5" x 4.5" / 24.1cm x 11.4cm. 2006
Generation ATARI flyleaf Pencil, oil pastel, found detritus paper, blood. 7" x 4.25" / 17.8cm x 10.8cm. 2006
le nuit chat Pencil, oil pastel, found detritus paper, crayon, thread. 7" x 4.25" / 17.8cm x 10.8cm. 2006
This is a recording Pencil, oil pastel, found detritus paper, salvaged ruler, fir. 13" x 11" / 33cm x 28cm. 2006
Barnacles for past pressed flowers Pencil, oil pastel, found detritus paper, crayon, wild pressed flowers, 11" x 5.5" / 28cm x 14cm. 2006
Sewn Pencil, oil pastel, thread, found detritus paper, shaved book end, wax string, wood clips, thread. 7" x 13" / 18cm x 33cm. 2006
Project Flyleaf Installation View, Elliott Louis Gallery, Vancouver BC, Canada 2006
Project Flyleaf Installation View, Elliott Louis Gallery, Vancouver BC, Canada 2006
Codex Dog Eared Thesaurus, 8.5" x 5.25" x 1.5" / 21.6cm x 13.3cm x 3.8cm. 2006
Project Flyleaf, Installation View, The Art Ark, Kelowna BC Canada 2007
Re-Education, Salvaged books, school desk chair, screws, nails, glue, tape, hidden notes, pencil, 32.5" x 16" x 12" / 82.6cm x 40.6cm x 30.5cm, 2006. chalk board paint, chalk, felt, salvaged pencil on panel, 49" x 24.25" / 124.50cm x 61.5cm, 2007
Where I Lay My Head is Home
Site specific lay-downs around Earth
2006 − Ongoing
Click Link to view the entire series
This project started out in 2006 as a reaction and counter balance to the cliché “tourist photo” which has now become a cultural phenomenon known as the “Selfie”. Laying down on the ground in various locations around Earth reflects my ongoing curiosity with self-presentation in public and private spaces and the document of the here and now. There is a recurrent insistence to document the present while remembering the past, to keep a connection to tradition and a conservation of our social and cultural relationships to the landscape around us. This is how I remember.
Click Link to view the entire series
Click Link to view the entire series
Click Link to view the entire series
Click Link to view the entire series
Click Link to view the entire series
Click Link to view the entire series
Click Link to view the entire series
Click Link to view the entire series
Click Link to view the entire series
Click Link to view the entire series
Click Link to view the entire series
Click Link to view the entire series
Click Link to view the entire series
Click Link to view the entire series
Click Link to view the entire series
Click Link to view the entire series
Click Link to view the entire series
Click Link to view the entire series
(un)common (playing)ground
Kelowna Art Gallery, Kelowna BC Canada Curated by Linda Sawchyn
2004
Injecting the unusual into the familiar by turning sports objects inside out.
(un)common (playing)ground 1, a (play)ground without rules. 2, taking something common and making it (un)common. 3, unity of opposites. 4, (with)out rules.
(un)common (playing)ground Kelowna Art Gallery, Kelowna BC Canada, Installation View, curated by Linda Sawchyn, 2004
(un)common (playing)ground Kelowna Art Gallery, Kelowna BC Canada, Installation View, curated by Linda Sawchyn, 2004
Inside out Pro league salvaged baseballs
Left: Inside out baseball glove and baseball 9.5" x 10.5" x 7" / 24.1cm x 26.7cm , 17.8cm 2004. Right: Inside out football 8" x 10" x 5" / 20.3cm x 24.4cm x 12.7cm. 2004
Dugout Baseball bat, tape, Variable dimensions. 2004
Self Portrait - Mailed Experiments
Variable Media and Dimensions
2004 - 2007
Mailed Series (2004 − 2007) How many times can I mail the same envelope to myself before the Post notifies me about it? : Envelope, stamps, ink, tape, postal marks, return to sender labels
Mailed Series (2004 − 2007) How many times can I mail the same envelope to myself before the Post notifies me about it? : Envelope, stamps, ink, tape, postal marks, return to sender labels
Mailed Series (2004 − 2007) How many times can I mail the same envelope to myself before the Post notifies me about it? : Envelope, stamps, ink, tape, postal marks, return to sender labels
Mailed Series (2004 − 2007) How many times can I mail the same envelope to myself before the Post notifies me about it? : Envelope, stamps, ink, tape, postal marks, return to sender labels
Mailed Series (2004 − 2007) (Detail)
Blind Leap of Faith Envelope, stamp, ink, tape, postal mark 2009
One Roll of Scotch 3M Translucent tape and its dispenser, ink, stamps, postal mark 2004
2nd attempt at mailing a Canadian 5 dollar bill just by sticking a stamp and address on top. postal mark 2006
Unscratched lotto ticket, typewriter, ink, stamp, postal mark 2006
Casette tape with recorded message for the Postman, typewriter ink, tape, stamps, postal marks 2006
Pamphlet from a post office, fake address with correct return to sender address, typewriter ink, tape, stamps, return to sender label, postal marks 2006
Birdhouse Intervention
I saw an unfinished birdhouse on my neighbours firewood pile. So I stole it and finished what I thought was the intended design. 5 months later I put it back on the firewood pile. The hole drilled on the front measures the correct diameter for a sparrow.
January - June 2002
Birdhouse Intervention Site specific intervention, Wood, nails, hidden notes. 2002
Performance
Site Specific Interventions
Collaborations
The polite anarchist series 2000 - Ongoing Site specific happenings, performances, hidings, burying of notes and drawings, at various places I happen to be. Some are documented and most are not. Its become a part of my routine to inject the unusual into the familiar. Who finds these "artifacts", and when, is left to the cosmos.
The polite anarchist series Site specific intervention performances 2000 - Ongoing
The polite anarchist series (video still) Site specific intervention performances 2000 - Ongoing
The polite anarchist series (photo document of "the reverend" Alternator Gallery, Kelowna BC Canada 2000) Site specific intervention performances 2000 - Ongoing
The polite anarchist series (video still) Site specific intervention performances 2000 - Ongoing
The polite anarchist series (polaroid) Site specific intervention performances 2000 - Ongoing
Recipe for walls Elliott Louis Gallery, Vancouver BC Canada, 2012. Collaborative performance with Ya-chu Kang
Clamour and Toll, Candahar Bar Project, Playwrights Theatre Centre, curated by Eli Bornowsky, Vancouver BC Canada, 2010. Collaborative performance with Ya-chu Kang
Stone Soup, Grace Gallery, Vancouver BC Canada, 2009. 3 person collaboration with Lisa Birke and Eben Bender
Mossie, Bau-xi Gallery Vancouver BC Canada 2006, collaboration with Lisa Birke
Taking the Bridge, Unauthorized climb and amplification of Lions Gate Bridge in Vancouver BC Canada. National Radio Broadcast with CBC Radio One as part of the Deep Wireless Festival, New Adventures in Sound Art Festival (NAISA). 2006
Project Flyleaf Performance, Elliott Louis Gallery, Vancouver BC Canada, 2006
Raw & Cooked, Performance, Western Front Gallery, Vancouver BC Canada, 2004, with Eli Bornowsky and The RITA
Drain Wash Salvaged playing cards, canoe, wood, paddle, Various Dimensions, exhibited at The ArtArk, Kelowna BC Canada, 2003. Collaboration with Shayne Brandel and Jim Kalnin
Blind Faith Video Stills, One channel video, 2:42, 2009 - 2012 Click on the link below for Video
Studies in Amplification
Amplified objects - (ladder, axe, tennis racket, tank, ice skates, fly, bridge), guitar pick-ups, piezo mics, cello and violin pick-ups, RP-50 effect pedals, mini amplifiers, 1/4 jacks, batteries, tape, leather, thread, fabric
Variable Dimensions
1999 - Ongoing
Amplified Axe and ladder Demonstration Performance, Celtic Shipyards, Vancouver BC Canada. 2009
Racket Performance, Signal & Noise, Video IN Studios, Vancouver BC Canada. 2005
Racket Performance, Elliott Louis Gallery, Vancouver BC Canada. 2006
Self Portrait
Oil pastel, pencil, ink, graphite, crayon, pen, thread, white-out, found detritus paper, tape, various glue, blood, stitches, hair, plastic, fabric, linseed oil, correction pen, flyleaf pages
7" x 4.5" each (approx.) (17.8cm x 11.4cm)
1999 - Ongoing
I make two or three more every year, and will continue until my death.
Hitchhiker with a Chair
Waiting, trying to move, while sitting.
Systematic confusion
On July 15, 2000 at 9:10 AM I headed out from Kelowna BC hitchhiking with a wooded chair across Canada to Laval Quebec. It took 147 hours 2 minutes and a total of 23 rides. I had everyone who picked me up sign the chair and leave their mark.
Once the public took the risk to stop, pick me up and transport the chair and I to another destination they ultimately became the performer for the duration of the ride.
A sound diary of the events that transpired was recorded with a tape recorder and all the participants were asked if hitchhiking with a chair is art.
Click Link to listen to the Sound Diary:
Documented with 35mm photographs, Polaroid photographs, a tape recorder, sketch book and the people who happened to drive by and see it.
This performance was part of an exchange between the Alternator Gallery in Kelowna BC and Gallerie Verticale in Laval Quebec. It was exhibited in the exhibition "Unstable Motion" at the Gallerie Verticale Aug 3 - Sept 10, 2000. Curated by Marcel Saint-Pierre.
Sound design: Matieu St.Arnaud, Christian Nicolay and Martin Lord
Supported by the Canada Council for the Arts
Behind the harmless appearance of a week’s trip hitchhiking from British Columbia to Quebec lies a strategy of direct interaction with the spectator, of making people aware of art in practice. By drawing the drivers attention to the nature and particular conditions of his artistic approach, Nicolay involves him in the final product, makes his participation a vital component of the work-as-action. Nicolay’s desire to involve art in daily life led to this performance of which was exhibited at Galerie Verticale in Laval Quebec, presenting all of the things he collected, photographed, tape recordings of the drivers who picked him up, drawings made on the road and visual debris. The trip’s purpose is made clear through a documentary restitution, in the gallery, of moves and waits, atmospheres and circumstances, silences and words exchanged.
-Marcel St.Pierre
Kelowna BC to Laval QC 147 hours 2 minutes and 23 rides
Mailed letter
Everyone who picked me up signed the chair, as they became part of the work. Only 3 persons decided not to sign and be documented for this project.
Emergency money, kept a 20 in my sock
Full car, so he strapped the chair to his roof. That was really nice of him.
Just outside Dryden city limits. Asked me for my I.D. and I asked if I come out clean would you sign the chair.
A chance meeting outside Steinbeck Manitoba on the Highway. Paths are crossed, Franco Dirodi running across Canada raising money for children under the M.E.R.F. foundation. We exchange propaganda, he signs my chair and continues to run across Canada.
Everywhere I went the chair went with me
Only time I did not hitchhike, trying to get onto the 401 HWY.
the sketchbook
open pages from my sketchbook
Stuck in the sun waiting for a ride outside Winnepeg for 7 hours resulted in severe sunburn.
ATLANTIS
Various media
2001 - Ongoing
Nations rise and fall; their symbols endure even as their promises fracture. The cyclical tension of creation and destruction is exposed through materials and forms, questioning the durability of the stories nations tell in times of crisis.
ATLANTIS deconstructs American flags and reconstructs them into art objects as a vehicle for political discourse.
ATLANTIS draws attention to the pitfalls of globalization, the instability of the international markets and corrupt financial institutions.
ATLANTIS combines ubiquitous and mundane materials making a commentary on national self-image and its inherent fragility.
Deconstructing the American Flag and sewing it into a life preserver creates a complex metaphor filled with contrasting interpretations. The Stars and Stripes are an iconic and ubiquitous symbol of Americas self image. Life preservers are a life saving device and symbolize protection. The USA is, and has been the lifesaver, the all mighty nation of safety and preservation. On the other hand is the USA in need of a life preserver and ultimately sinking by abusing its power? Have they gone too far creating global safeguards for its quest of Freedom?
Of prominent note:
When I started this project I received a bulk order of American flags in the mail off eBay, I noticed that each flag (that was wrapped in plastic) had a prominent “made in China” label attached to its corner. I thought, “Here it is” hidden in plain sight. An American company having their own flag production outsourced and manufactured in China. If the American dream is made in China, the Chinese dream is made from America. So when I deconstructed the flags and sewed them into life preservers - I attached the made in China labels back into the corners of each preserver.
No Where Now Here No. 250 Ripped and assembled periodical, scanned and digitally manipulated, printed on found paper and drawn on with ink, pencil, crayon, oil pastel, watercolour, tape, correction pen. 11" x 8.5" (28cm x 21.6cm) 2020
Atlantis, Safe & Secure, Nov 9, 2016 Bubble wrap, American flags, made in China labels, thread, polyester fiberfill, ribbon. Variable Dimensions. 2016
Atlantis American flags, salvaged made in China labels, thread, polyester fibrefill, ribbon, sand, wood, USD one dollar bills, found wet paint sign. Variable Dimensions. 2008 - Ongoing
Atlantis (Detail) American flags, salvaged made in China labels, thread, polyester fibrefill, ribbon, sand, wood, USD one dollar bills, found wet paint sign. Variable Dimensions. 2008 - Ongoing
Inflation American flag, salvaged made in China labels, USD One dollar bills, thread, polyester fibrefill, ribbon, plastic, 10" x 7" x 7.5" each (25.4cm x 17.8cm x 19.1cm) 2008
Atlantis, Installation View, Alternator Gallery, Kelowna BC Canada, 2008
Atlantis, Installation View, Alternator Gallery, Kelowna BC Canada, 2008
Official USA voting machine Atlantis, Installation View, Alternator Gallery, Kelowna BC Canada, 2008
Atlantis, Installation View, Alternator Gallery, Kelowna BC Canada, 2008
Atlantis, Installation View, Masik Studios, Vancouver BC Canada, 2009
Federal Reserve Act USD One dollar bills, American flag, made in China label, thread, polyester fiberfill, ribbon 22" x 15" x 5" each (55.9cm x 38.1cm x 12.7cm) 2008
All of the American flags I ordered on ebay from the USA came individually wrapped in plastic with "Made in China" Labels sewn into each corner. It was appropriate that each flotation device I produced should have the labels sewn back in, and in some instances I made my own labels to accompany the work.
Military Bases around the World American flag, salvaged made in China label, thread, polyester fibrefill, ribbon, 7700 pins, Variable Dimensions. 2009
Military Bases around the world (Detail)
Military Bases around the world (Detail)
Faith in Money Self made US dollar bills, laundry detergent, darts, glass, wood, salvaged ruler, tape, Variable Dimensions. 2009
Tower of Babel Flyleaf paper, wood, chalk, chalkboard paint, chia seeds, water, sponge, white-out, toilet paper, pencil, Variable Dimensions. 2006 - Ongoing
Tower of Babel (Detail)
Tower of Babel (Detail)
Tower of Babel (Detail)
Tower of Babel (Detail)
Tower of Babel (Detail)
Actions of Mass Construction Exploding paper caps, thread, Smith Corona typewriters, pencil, white-out, found detritus paper, acrylic paint, tape. Variable Dimensions, 2005
Actions of Mass Construction Exploding paper caps, thread, Smith Corona typewriters, pencil, white-out, found detritus paper, acrylic paint, tape. Variable Dimensions, 2005
Actions of Mass Construction (Detail)
Exploding paper caps (Detail)
Exploding paper caps (Detail)
Actions of Mass Construction (Detail)
Actions of Mass Construction (Detail)
From Freedom: 2001-2008 Acrylic paint, watercolour, oil pastel, pencil, crayon, ink, graphite, found detritus paper, collage, bubblegum, lacquer thinner, damar, manipulated polaroid, string, thread 50" x 38" (127cm x 96.5cm) 2001 - 2008
From Freedom:2001-2008 (Detail)
It's like a kitten in a bottle Acrylic paint, watercolour, oil pastel, pencil, crayon, ink, graphite, found detritus paper, collage, dust, lacquer thinner, 40" x 52" (102cm x 132cm) Diptych. 2007-2008
Hope Floats Acrylic paint, watercolour, industrial house paint, coffee, blood, oil pastel, pencil, crayon, india ink, graphite, found detritus paper, collage, bubblegum, dust, thread, 50" x 38" (127cm x 96.5cm) 2008
Hope Floats (Detail)
Governing America Lacquer thinner on collage, india ink, acrylic paint, oil pastel, weeds, blood, coffee, tape, whiteout, found detritus paper, 11" x 26" (27.9cm x 66cm) 2008
Political Snakebite Acrylic Paint, watercolour, pencil, graphite, oil pastel, whiteout, blood, collage, found detritus paper on paper, 40" x 36" (101.6cm x 91.4cm) 2001 - 2002
Political Snakebite (Detail)
Trimming G.W.'s Bush Acrylic paint, watercolour, sewing paterns dipped in secret mixture, coffee, blood, oil pastel, pencil, crayon, india ink, graphite, found detritus paper, collage, first aid manual, egg styrofoam container, 48" x 35" (121.9cm x 88.9cm) 2002
Trimming G.W.'s Bush (Detail)
voTe 2008, Dracula vs Jesus sketches Acrylic paint, pen, pencil, white-out, blood, found detritus paper, sandpaper, stamps, 8" x 6" each (20.3cm x 15.2cm) 2007 - 2009
voTe, Dracula vs. Jesus Balloons, pencil, pen, pastel, white-out, blood, found detritus paper, sandpaper, stamps, Variable dimensions. 2009
Magazine page, pen, ink, white-out, bubblegum, tape, typewriter 12" x 8.5" (30.5cm x 21.6cm) 2009
Home of the Brave Salvaged wood, pencil, crayon, blood, tape, pencils, nails, 10" x 15" x 2" (25.4cm x 38.1cm x 5.08cm) 2008
Polaroid photograph, pen, white-out, smudged pencil, typewriter 2006
Atlantis (Wet Paint) American flags, salvaged made in China labels, thread, ribbon, polyester filbrefill, salvaged wet paint sign, 22" x 15" x 5" each (55.9cm x 38.1cm x 12.7cm) 2008
Miss Atlantis, American flags altered into life preserver templates and layered into a dress, ribbon, thread, polyester fibrefill, salvaged made in China label. Vancouver Fashion Week, the Chapel, Vancouver BC Canada, 2008, collaborative performance with Pacificthorn
Miss Atlantis, American flags altered into life preserver templates and layered into a dress, ribbon, thread, polyester fibrefill, salvaged made in China label. Vancouver Fashion Week, the Chapel, Vancouver BC Canada, 2008, collaborative performance with Pacificthorn